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Artists of Toledo

The Museum in the Seventies

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Welcome back to Roger Mandle, the fifth Director of the Toledo Museum of Art, from 1977 to 1988. He spoke at the museum’s Little Theater on June 8. It was a wonderful talk, about working with Otto Wittmann, the 4th museum director of the museum, and then as the assistant director at the National Museum of Art in Washington, DC, and then as president of Rhode Island School of Design from 1993 to 2008, and then how he helped develop two new museums in Qatar. Now he is starting a new museum for art and technology in New Bedford, Massachusetts.

It was a great era when Mandle was at the Toledo Museum of Art, because the museum had meaningful art community involvement. The museum was built on meaningful art community involvement, in fact it was built by artists. Beginning in 1916, the museum offered grade school through high school classes, then university classes, and always adult art classes. Local artists had monthly shows at the museum. The museum hosted the Toledo Area Artists Exhibition (TAA). Who would have thought that the TAA Show would have been extinguished, just four years short of its 100th year celebration next year, what was the oldest, most venerable exhibition of its kind in the entire United States.

I benefited from the classes at the museum from age 9 to 21. I taught the first kids photography class that the museum offered, in 1979, with the darkroom right below the Peristyle stage. I exhibited in a few TAA shows, and in 2013, my daughter’s photography career received a huge boost, perhaps even a complete launch, as a result of her prize-winning entry in what was to become the final local Toledo Area Artists Exhibition. This year, four years later, my daughter is showing her photographs in Venice, Italy in a show at the European Cultural Center in the context of the 57th Venice Biennale.

My daughter spent the summer of 2006 at Rhode Island School of Design in a high school program, and that’s where she fell in love with photography. Because I knew Roger Mandle from the museum, we sent him the photos she shot that summer.  He was sincerely impressed and without our even asking, sent her photos to the admissions department with a strong recommendation. To be encouraged by such a knowledgeable and important person so early on was a great formative experience.

Kids classes as well as adult classes have nearly disappeared at the Toledo Museum of Art. The local art community is no longer tied to the museum that the artist-forefathers of Toledo had so progressively formed. It used to be our museum and everybody understood that — it belonged to the community of Toledo — but today for the first time suddenly it is no longer our museum.

Today it’s all about the grants. A Mellon grant brought down the TAA show, along with a bamboozling by the museum to the Toledo artist community, as if our community artists would benefit by expanding our local art show 10-fold to 13 million people and a 300 mile diameter.  At least it looked good on the grant application. That was three years ago, and it was the last show. Judged by Halona Norton-Westbrook, a Mellon Fellow employed at the museum, the eleven local artists who were accepted into the show happened to be closely associated with the museum (including two employees, the husband of an employee, a past employee, and two past presidents of the Federation.) Only two of the Toledoans were women.

Our current director, Brian Kennedy, tells people openly that Toledo artists are not good enough to show at the museum in any show, even our annual, 100-year old show that’s always been at the museum. So unbecoming of our museum, which had such a progressive, community oriented beginning!

Rejecting local artists is an elitist spin on Toledo’s communal inferiority complex and famously poor self-image. Museum supporters don’t care. They buy their art in New York. Thus, the ax has come down on this fine opportunity and tradition for artists in Toledo. Our deceased museum directors must be rolling in their graves.

It is a shame that the artist community that was once centered around the museum has disappeared and opportunities no longer exist at our most magnificent and inspiring cultural center, the Toledo Museum of Art, that was built by artists, educated artists, and for many years, was led by artists (including Roger Mandle.)

Roger Mandle and the museum directors who preceded him kept the local art community alive and well at the Toledo Museum of Art for more than eight decades. And while accommodating the community, they had blockbuster shows, bigger and better than we see today.

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1967 was the 50th anniversary of the Toledo Area Artists Exhibition, Otto Wittmann was the 4th director of the museum.

Brian Kennedy tells people that Toledo area artists aren’t good enough for the museum to continue hosting the annual Toledo Area Artists Exhibition, an important, century old tradition started by the museum with the Federation formed for that purpose. Leslie Adams, past president of the Federation, tells Toledo area artists to trust that with the change in the show, that the museum has their best interests at heart.

The museum gave Adams a one-person show in 2012 as a new Toledo Area Artists Exhibition award in 2011 (the first and only recipient of that award) and the museum even acquired three of her pieces in 2015.

You just have to wonder when they kill our show and profess that no local artist’s work can ever be good enough to show at the museum, but they buy Leslie Adam’s work.



Categories
Artists of Toledo

Toledo Museum of Art: Repair the Damage

Adam Weinberg in 1979. Adam was a truly great, forward thinking, community oriented Toledo Museum Fellow, and is now the Director of the Whitney Museum of American Art. I photographed him in the cornfield adjacent to his house. 

Toledo Museum of Art, repair the damage you have done to the community of artists.

In 2010, perhaps when the museum was between directors, the acting director and Amy Gilman of the museum made a proposal to the Federation, that they would get great jurors with their museum connections and make Toledo artists famous. Maybe not in those exact words, but that’s what the Federation heard. Whatever the exact words were, the museum’s “intention” of commandeering the show was to help the community by making a better Toledo Area Artists show by getting more prestigious jurors, an intention reported in The Blade in 2010 and 2011.

The museum judged it themselves the first year, in 2011, saying that they were introducing the new director, Brian Kennedy, to the community. They used a Mellon Fellow and New York artist and writer Joe Fig the second year. Everything went fine, in fact because of that show, my daughter’s career was launched. (see, Toledo Area Artists Matter)

This year, instead of making the show for the community, the museum extended it to cover a population 15 times greater than the population of the Toledo area. They had their Mellon Fellow, Halona Norton-Westbrook, judge it all by herself. She put in only 11 Toledo area artists, including two museum employees, the husband of a museum employee, one former employee with former contentious museum relationship, the two most recent past presidents of the Federation, the group that had charge of the show when the museum took it over in 2011. Hence, most of the Toledo area artists chosen by the museum were insiders. 17 other artists were from other cities.

The population of Greater Detroit alone is 5 times that of the Toledo metro area. So you can see that a show that was highly competitive in our local area, has become instantly 10-15 times more competitive by adding a 150 mile radius encompassing 4 cities much larger than Toledo, plus several other cities with more advantage than Toledo, such as Ann Arbor and Grand Rapids, Michigan. And why is this good for our community? For countless area artists like my daughter, the odds are they will never have a chance.

Toledo Museum of Art, is it necessary to take our community show away from us to get a grant? Get Fellows at our museum like Adam Weinberg, the current Director of the Whitney Museum of American Art. He was a very charismatic, community oriented Fellow, who worked at the Toledo Museum of Art in the late 1970’s, and I had the honor of working with him when I was a teacher of photography at the museum. Put an incredible, dynamic community-respecting Fellow, like Adam Weinberg, in charge of the TAA show, with supervision, so he gains professional museum experience. Make the jurying process fair again with objective, outside jurors having no connections to the community. The Adam Weinberg-like Fellow can appoint whatever community committee he needs or wants to work with if he thinks it’s helpful. Make it professional, and make it for Toledo area artists, because that is the legacy of Edward Drummond Libbey, and that is the legacy of the Toledo Museum of Art.

Break it off completely with the Federation. Most of the artists groups dropped out of the Federation after the museum took over the show in 2011, leaving mainly universities and college groups. The Federation has no resemblance now to what it was when it was formed. It used to be composed of groups of artists, not schools, and we don’t need to debate to know that educational institutions do not serve the interests of individual artists — they serve their own institutional interests, and so these institutions do not deserve a seat at this table.

For the previous 94 years, the Toledo area artists have been good enough to be in their own namesake Toledo Area Artists art show. Look at what you are doing to our community! Respectfully, please understand that even though some people may appreciate your leadership contributions to our museum, we all know, you are not from around here, and it is likely that your time at the Toledo Museum of Art will be temporary. Don’t mess with our traditions as if they have no value. It’s like poisoning our water and then skedaddling.

The Toledo Museum of Art was voted the most beloved museum by its community recently. People today donate to the Toledo Museum of Art believing in a community memory of a community oriented museum. How can the museum literally nurture so many artists within its mission and its history, then just hang us out to dry, replaced by artists from other cities? Our area has so much potential for the growth of the art economy in this area. We don’t mean Cleveland or Detroit or Columbus, we mean Toledo! Yet the museum is communally dumbing us down by taking this great opportunity away from the majority of Toledo area artists and handing it over to anybody else in the 150 mile radius, for what, for a more impressive population “line item” on a grant application?

Toledo area artists have always been good enough for the show for the past 95 years. This year the museum throws us under the bus. For a shallow, very shallow, empty purpose. As if to say we are not as good artists as other artists living 150 miles away. Reconsider saving the Toledo Area Artists Exhibition for Toledo area artists. It’s good for us, and as you know, as the museum made it its motto, “art matters” to us.

Give us another Adam Weinberg. He would never have thrown Toledo artists under the bus.

From The Toledo Museum of Art’s mission statement:

COMMUNITY RELEVANCE: We will be an integral member of our community and will be responsive to issues of community concern and importance, particularly as they relate to the arts.

VALUES: As individuals, we pledge that our relationships with one another and with our audiences will be governed by: Integrity; Respect; Trust; Cooperation; Positive Approach; and Self-Discipline.

Brian Kennedy’s slide presentation of the museum’s mission, at the 2011 TAA Jury Dinner. Artist Craig Fisher and his daughter in foreground.

STRATIGIC OBJECTIVES — Working with artists.   Work with us. We are your offspring! The Toledo Museum of Art made us! Aren’t we good enough for The Toledo Museum of Art, Papa?

Another suggestion is to make the gallery off of the Community Gallery for Toledo artists, instead of for babies. Up until 1970, Toledo area artists used to get monthly one-person shows. Now they have a gallery for baby art. Literally. (Toledo Area Lil’ Artists Exhibition — gee thanks, TMA, adding insult to injury.) This nicely lit gallery at the back entrance to the museum. For babies? Seriously, you can do better for us, can’t you, Toledo Museum of Art?

Categories
Artists of Toledo

Letter to the Editor of The Blade

In the October 15, 2014 Toledo Blade is my Letter to the Editor:

The upcoming Toledo Area Artists Exhibition, Nov. 21 through Jan. 4 at the Toledo Museum of Art, will have only 11 artists from the Toledo area.  The previous exhibition had 64 local artists.

Seventeen artists outside of our 17-county regional area got into the TAA show from as far as Cleveland, Columbus, Grand Rapids, Mich., and Muncie, Ind.

I am a member of the local art community and operate a Web site that details Toledo’s art history (artistsoftoledo.com). I applied for the exhibition but wasn’t accepted.

Of the 11 Toledo area artists who were chosen, most have inside connections to the art museum, which gained control of the exhibition from the Toledo Federation of Art Societies in 2011. I question whether the jurying was ethical.

It is unacceptable that only 11 Toledo area artists were picked out of 462 total entrants. The museum should not be entitled to use the TAA name because it is a misrepresentation.

TAA is the oldest regional art competition affiliated with a museum in the country. Obviously, the museum has no respect for Toledo’s traditions or its artists. Toledoans donate to the museum, believing it is community oriented. Donors may want to rethink donating to a museum that treats the present-day community this way.

Penny Gentieu

Awards presented — wondering about this year’s Toledo Area Artists Exhibition

Some TAAE awards, and they all have a story. What is happening to them, Toledo Museum of Art? 

Israel Abramofsky Award of the Temple-Congregation Shomer Emunim

Molly Morpeth Canaday Award 
University of Toledo Award 
Toledo Federation of Art Societies Purchase Award
Roulet Medal Award 
Arts Commission of Greater Toledo Purchase Award for the City of Toledo’s Art in Public Places Program 
Athena Art Society Award 
Toledo Friends of Photography Award 
Toledo Area Sculpture Guild Rose M. Reder Memorial Award
Bob Martin Memorial Award
Edith Franklin Memorial Award
Lourdes University Art Department Award 
Toledo Potter’s Guild Award
Toledo Area Artists Solo Exhibition Award

UPDATE on November 22:

I had received no answer from the Museum, the Federation, the Arts Commission, or the Temple-Congregation Shomer Emunim regarding these awards, even though I had asked each one directly. I am posting the day after the awards ceremony. 

The University of Toledo Award, Lourdes University Art Department Awards were combined along with BGSU, new this year, and given to a Farmington Hills, Michigan artist. I am wondering why the art schools of Toledo ganged up and sent their money out of town. I recommend all future college art students to get their education outside of Toledo, and set up shop outside of the Toledo area. Because this is how Toledo art schools will support you. THEY WON’T.

The Potters Guild Award was not given, because there was only one potter in the show, a Toledo artist and member of the Potters Guild. He unselfishly said to the Potters Guild that they should hold off on giving the award this year, and even suggested that the Potters Guild award it at the Salon des Refusés.

Toledo Area Sculpture Guild Rose M. Reder Memorial Award’s name was changed to Toledo Area Sculpture Guild and Flatlanders Gallery Award (a gallery owned by one of the Federation presidents put in this year’s show, Ken Thompson) and given to a Columbus artist.

Israel Abramofsky Award of the Temple-Congregation Shomer Emunim went to an Akron artist. 

Molly Morpeth Canaday Award went to a Berkley, Michigan artist.

The Roulet Medal Award, the oldest name award of the show, went to a Grand Rapids, Michigan artist.

The Athena Art Society Award went to an Ann Arbor artist.

The Toledo Federation of Art Societies Purchase Award went to an Ann Arbor artist.

Toledo Friends of Photography Award went to Cleveland.

Bob Martin Memorial Award and Edith Franklin Memorial Award were not given, they were new to the show in 2011 and 2013, respectively.

It was reported in the Blade on November 16, 2014 that the museum dropped the Toledo Area Artists Solo Exhibition Award. The Leslie Adams Show in 2012 was the only show resulting from this short-lived award.

All of the name awards that were presented, awards given by the Toledo Federation of Art Societies — a group that was formed to promote Toledo area artists, went outside the 17-county Toledo area. Awards that were designed to be given to Toledo area artists, in a show that was meant for Toledo area artists.

The organizations set up in Toledo, even the ones that get grant money for Toledo artists, DO NOT support you.

That the universities ganged up their award without supporting the TAA for TAA artists, is perhaps the worse possible offense. They train them, they take their big tuition dollars, you’d think that they would support Toledo area artists! But they let the award go out of town. What does that say about them? They don’t care about your artistic professional future because they are actually taking opportunities away from you on purpose. They simply don’t care about keeping the TAA for Toledo area artists, even when 37 Bowling Green-affiliated artists benefited from the show in the past three years — these colleges, BGSU included, have a different agenda.

Art students — find another school. It’s HOPELESS in Toledo. Don’t even try. They are not with you. Your life here now and your future here will most assuredly be bleak.

And glass artists? What is here for you, a job at the museum maybe, but you are not considered anything special for the TAA show. It’s not worth putting down roots in this area.  Sure it’s cheap and easy to live here, but you’ll more than make up for any cost of living difference in a better, more supportive city, because you’ll be more appreciated, you’ll be more motivated, you’ll be more productive, and you’ll make more money. In short, you’ll be more successful where you get the support you need. Your talent is valuable and will go a lot further elsewhere, where you are supported and respected for the pioneering artists that you are. And this advice goes for all artists living in Toledo.

All of these organizations could have withheld their awards this year in protest of the area extending outside of the 17-county Toledo area that has comprised the area of the past 50 shows. But they didn’t. They knew, and they certainly got my message, but they refused to respond to my questions, because they are disrespectful and do not care about Toledo area artists. They had a chance to make a statement but they let us know loud and clear where they stand. Toledo area artists, don’t you stand for it!

Federation — step down. 

Happy Thanksgiving.

Categories
Artists of Toledo

Dear Toledo Museum of Art….

This is my reply to The Toledo Museum of Art’s reply to my September 3 blog post about what the museum did to our Toledo Area Artists Exhibition this year. My answer is in red.

Ms. Gentieu-

Your passionate devotion to Toledo artists is certainly evident in the exhaustive research, time and effort you have put into artistsoftoledo.com. However, that passion, when applied to this year’s Toledo Area Artists show, had led you to some conclusions that are simply false.

 It is your right not to like this year’s format. It is your right to criticize that format and the decisions Museum staff have made in the interest of creating a more compelling and high quality curated exhibition. However, I must clarify some of the information that you are providing as “fact”.

To clarify what you are saying here, you claim that the museum wanted to make a more compelling and high quality curated show of our 95-year old Toledo Area Artists Exhibition. That’s how you try to justify taking most of the Toledo area artists out of it and putting in your own employees, etc… what an insult.

This is a curated show. The curator, Halona Norton-Westbrook, was selected from an international pool of candidates to be the Museum’s third Mellon Fellow. Part of her role here is to oversee one major Museum project or exhibition. At the time she made artist selections she had been in Toledo less than one year.

Yes, she selected two museum employees for the show. She did not select several others who applied. Yes, she selected former TFAS presidents. She does not know those people personally nor was she aware of their connection with TFAS. She did select an artist or two that have had contentious relationships with the Museum in the past. Again, she did not know the background, nor was it relevant to her selections.

It was about the artists, their portfolios and her vision for the show. Period. Ms. Gilman was part of the process as a sounding board, but did not insert any artists into the final selection nor veto any. 

You state that this was a curated show. However, no theme or premise for a so-called “curated” show was given to artists in the CALL FOR ENTRIES. In fact, the only mention of a “curator” in the CALL was in this sentence: “Please consider this portfolio a way of introducing your body of work to the curator.”

Artists were told that “artists would be chosen based on their entire portfolio submitted.”  Yet you now claim that this show is somehow “curated.” Meaning what, exactly? You didn’t bother telling the general public whatever theme it was you were looking for – you didn’t inform the many or all 462 artists who paid $30 to enter, which adds up to be $13,860. 

Artists who entered were informed that Amy Gilman, the associate director of the Toledo Museum of Art, would be one of two judges jurying their work, according to the CALL FOR ENTRY, The Blade, and the museum’s own website. (See, below.) Amy Gilman was the “important” and “prestigious” judge that most artists wanted to get their work in front of. Now you say that it was Halona Norton-Westbrook, a 2013 graduate, who picked the artists. Halona Norton-Westbrook, with an undisclosed notion of a particular curatorial idea for the show, not shared with the entrants, (at least not with most of them.) Amy Gilman, you now tell us, did not participate in the selection. Amy Gilman was just a “sounding board” for Halona Norton-Westbrook, a recent graduate, who was given the Toledo Area Artists Exhibition to do because she needed to “oversee one major Museum project or exhibition” to fulfill her role as a Mellon Fellow.  What a strange project for the museum to give her. What a supreme waste of Mellon Fellowship funding, as it turns out, since Halona Norton-Westbrook has made such a mess of it.

Artists paid $30 each, x 462 = $13,860, collected under the false pretense that Amy Gilman was an actual judge as was stated in the CALL FOR ENTRY and elsewhere. Here are three places that state both Amy Gilman and Halona Norton-Westbrook were the judges. But now you disclose that Halona Norton-Westbrook was 100% responsible for picking the artists, therefore she made all the jury calls, not Amy Gilman, who you say had nothing to do with either adding or subtracting artists, that she was just a sounding board.

 

On Call For Entry.org:

 

On TMA’s website:

In The Blade:

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You state that Halona Norton-Westbrook did not know the museum employees that she picked, nor did she know that she picked the two most recent past presidents of the Toledo Federation of Art Societies, even though all the entrants were required to submit CV’s (curriculum vitae, a detailed resume). She had been working at the museum for 10 1/2 months before picking her winners, but you claim she didn’t know Jefferson Nelson or Timothy Gaewsky or the librarian’s husband. And I suppose you want us to believe that she had no idea about the history of this venerable show nor had she any knowledge of the recent changes with the Federation’s involvement in the show. Yet you want to impress us that you picked Halona Norton-Westbrook from “an international pool of candidates,” so it’s hard to believe that this candidate could be totally ignorant about the Toledo Museum of Art’s history or the history of the 95-year old Toledo Area Artists Exhibition, especially since it was a project she was given to fulfill for her fellowship here. Isn’t Halona Norton-Westbrook (recent graduate) a highly educated woman? 

The show is about celebrating artists. The artists were selected because their work spoke to Ms. Norton-Westbrook. On another day, with another curator, some of the other great artists who applied will be selected. Your criticism of the selection process is also a criticism of the artists selected because of the inference that they were selected for who they know, rather than their exceptional work.

Indeed. The circumstances that The Toledo Museum of Art created make for an ugly show even before it opens. There are countless artists in the Toledo area who do exceptional work who were not lucky enough to be chosen. Undeniably they would have had better odds if they worked at the Museum, were married to someone who worked at the Museum, or were the two most recent past presidents of the Toledo Federation of Art Societies, the group that relinquished control of the show to the Museum in 2011. Why did the Federation relinquish that control, was it because the museum demanded it of the Federation?

If you are a Toledo area woman, you had even less of a chance to get in the Toledo Area Artists Exhibition: your odds were 1 in 232 (compared to 1 in 51 for being a Toledo area man). Even then, being a close friend of the Staff seemed to help.

The geographic location of the submitting artists was not a consideration in the selection process, other than they met the 150-mile radius requirement. We felt the original 17-county model discriminated against our Michigan patrons by not including Ann Arbor and Detroit, Ann Arbor being our largest source of visitors outside of Toledo and surrounding suburbs. Just because something has been done for a long time does not make it fair. 

Discriminate? What a potent word to explain why you would add Detroit and Ann Arbor artists over Toledo area artists in the Toledo Area Artists Exhibition, a 95-year old community-based exhibition celebrating the work of Toledo area artists (hence, the name.) Detroit and Ann Arbor have their own museums and their own flourishing art communities. Couldn’t imagine these art communities would ever think they would be discriminating by not featuring Toledoans in their own local art shows. On the other hand, the fact that only two Toledo area women were chosen to be in this year’s Toledo Area Artists Exhibition is a good example of real discrimination.

Your insinuation that this was “fixed” is just wrong. Your other insinuation that the Museum is somehow profiting from entry fees is also wrong. The total investment in TAA by the Museum is approximately $80,000. We never have, nor will we ever, make money on the show.

You are the one who is using the word, “fixed” but now that you mention it, that hits the nail right on the head. I believe that you took money from unsuspecting artists under false pretenses. I think you should give all artists their money back and apologize.

The opportunity for local and regional artists to have their work displayed in a world class museum is one that is not widely available. Most museums have discontinued their local artist shows. The Toledo Museum of Art remains committed to local artists, through TAA, our Community Gallery shows, selling local artist works in our store, glass residency programs and much more. 

Most museums do not have the history that The Toledo Museum of Art has. The Toledo Museum of Art was started by artists. The museum has meant a great deal to the city of Toledo as well as to the entire community, because the community built the museum and the community supports it. The museum used to help the art community. Now, there is very little left at the museum for the local art community. Except for the chosen few who happen to work there — you might put them in a show (if they are men, that is, not your women employees). What the museum does have now for the local art community, especially for the women artists, is an overwhelming attitude of contempt, which is all too well being playing out in the way it is handling our very special, unique and historic community oriented tradition, which started 1918, almost as old as the museum itself, our Toledo Area Artists Exhibition.

Love it or hate it, we hope people will come to TAA and judge for themselves.

Kelly Fritz Garrow Director of Communications kgarrow@toledomuseum.org

The museum took our name, Toledo Area Artists Exhibition, and took Toledo area artists and Toledo area women out of the show, and instead, stuffed the show with insiders and out-of-towners, while still having the audacity to call it the Toledo Area Artists Exhibition. All the while collecting $30 per entry as if it was business-as-usual. Why would anyone think that is a good idea?