Tag: Marcy Kaptur

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Artists of Toledo

TMA’s disgraceful national review

Wow! Read this: Toledo Museum: A Treasure Trove of the Best – But chasing the diversity, equity, and belonging unicorn, it might derail itself 
And this:  Toledo Is Great on Glass but Disses American History – Its glass collection is superbly presented, but American art is trashed as ‘white supremacist’

The Toledo Museum of Art is getting national attention — but not in a good way. Unfortunately the unflattering critique by art critic, Brian T. Allen in the National Review is right-on. The museum is using its stellar collection to promote a trite, tired and divisive political point of view, reducing great art to the level of mere illustration, targeting the lowest common denominator. Dumb, dumb, dumb!

It’s missing a few points though…. like perhaps the museum has gone all out with their inclusion theme as a smokescreen to cover the bigger picture. They want us to look over here at their diversity theme and not follow the money. Like the questionable sudden selling of the museum’s three great Impressionist paintings for over 61 million dollars and starting a whole new unrestricted fund with it. Taking from Edward Drummond Libbey’s bequest and defying his rules. And who exactly bought TWO of these paintings? Hopefully the Ohio Attorney General, in their current investigation of the Libbey Endowment Trust funds, will uncover it all.

The mayor is a dope

Toledo’s mayor, in a dollop of snark and a show of ignorance, said the museum catered to “Florence Libbey types,” which means a high-society dame, the kind who wear a tiara to weed the orchid patch. It’s safe to say he’s a dope. The museum’s not a colony of the country club. It has cultivated a broad-based appeal and affection. And a mayor shouldn’t trash the thing that adds the most class and cachet to his city. Toledo, after all, isn’t the Paris of Ohio. – Brian T. Allen, Toledo Museum: A Treasure Trove of the Best, National Review

Yes, the mayor of Toledo, Wade Kapszukiewicz, is a dope. And it is safe to presume that this line of thinking was fed to him by the museum’s newly appointed “Brand” department and manager — a man who lives in Colorado! Once you trash the beginnings of the museum, and the Libbeys, and the museum’s history — a museum built by progressive founders who gave the gift of the museum to all of the people of Toledo — the exact opposite of the image that the mayor of Toledo is promoting — it’s easy enough to trash the art inside of it and whisk it away.

As they destroy the museum’s legacy, they can easily sell off the museum’s masterpieces. If they can get away with secretly selling valuable paintings that were purchased with funds from the Edward Drummond Libbey Endowment, a publicly scrutinized trust fund, and move those assets into a secret private fund, or who knows what they do because the public no longer has access, they set a precedent and can keep doing it until the museum has no resemblance to the intentions of the founders.

If they were not going to buy art right away with the proceeds (as per the wishes of the Libbey trust) then why didn’t they simply put it back in the Edward Drummond Libbey Endowment Fund? I’ve read Libbey’s will in regard to the trust and there is absolutely nothing in it that would stop them from putting the money back into the endowment fund.

The wills of the Libbeys make it very easy for the Trustees to do what they think is best — but of course that freedom is predicated on the Trustees’ fiduciary duty. The Trustees are legally required to do their best to act in Libbeys’ stead, but it appears that they are breaching that trust. And they are dwindling the endowment away (check it out for yourself at the Lucas County courthouse — it’s public information) while the museum builds up a private fund. Is there a conflict of interest? Some of the same Trustees of the Libbey Trust are on the Board of Directors of the museum.

While they, to quote the article, “cater relentlessly to Toledans living within a two-mile radius of the museum” and “drag people from their homes to raise that percentage for what is, after all, an ego trip” (but never answer the emails of community members or respond to open letters on blogs, being the hypocrites they really are) they are actually stealing from the people of Toledo.

This happens because the mayor of Toledo, city council, museum board members, donors, members, etc., play along with them (after all, they go to the same parties and have the same lawyers) and they are all such dopes.

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Artists of Toledo

Marcy Kaptur, politics and art museums

Cezanne's Avenue at Chantilly decorates the Lucas County Glass City Convention Center, 2023

Marcy Kaptur is right. This country is run by wealthy people on the East Coast and West Coast, and they don’t relate to the vast working-class people of the Midwest. Rep. Marcy Kaptur of Toledo, who holds the record for being the longest-serving woman in Congressional history, said the floor of Congress had always been lively with debates on the issues, but now it’s just a theater playing to the media.

You might think Ms. Kaptur was talking about the Toledo Museum of Art.

The 2022 Burns Halperin Report

The 2022 Burns Halperin Report is a survey which illustrates an extreme lack of diversity among 31 American museums, specifically, art made by Black Americans and women. The Toledo Museum participated in the survey. The survey mentioned only a couple of East Coast and West Coast museums doing a good job adding diversity to their new collections. Although the Toledo Museum of Art has a good record, it was not mentioned.

The Artists of Toledo Report

The Artists of Toledo Report is a survey of the artists whose art was acquired by the Toledo Museum of Art between 2017 and 2022. The survey shows that the Toledo Museum of Art has been almost completely balanced regarding the diversity of the artists whose work was collected during the past six years, except for a 30% imbalance between non-American women and non-American men.

Just passing through…

Mr. Levine has laid out a road map for the museum to become what he calls the “model museum in the United States,” one whose collection reflects the demographic makeup of the country, and where people feel “a sense of comfort and psychological safety in every interaction with the institution’s brand on-site and off-site,” as he put it. Itʼs About Time.ʼ Museums Make Bids for Their Communities. New York Times, May 21, 2021

The Toledo Museum has never had to try so hard to be a “model museum,” the museum has democratically served the entire community since 1901. However, certain new museum directors passing through on their upwardly mobile path in the museum world have stripped our museum of its democracy. The current director, Adam Levine, is from New York. He plays to the East Coast and West Coast media with disingenuous rhetoric, seeking publicity by exploiting the diversity issue.

Never mind that the museum’s revered public art education program and local artist shows that went on for nearly 100 years have been eliminated.

The Big Middle

The Toledo Museum of Art is in Marcy Kaptur’s district. Like Marcy Kaptur, the museum has a solid progressive democratic foundation that serves the working-class. The Toledo Museum of Art used to have a formidable public art education program. It had a local artist exhibition tradition unlike any other museum in the country. The educational program and the local art shows served multiple generations of Toledoans. These are the roots of the museum, through which the collecting of diverse art has evolved naturally.

A diverse crowd in front of the Toledo art museum, 1919.

Frederick Douglass Allen, born in 1886, is the earliest recognized black artist in Toledo. He was one of the first students of the museum’s public art classes. He showed in the first annual Toledo Area Artists Exhibition, and seven subsequent annual shows at the Toledo Museum of Art. I spoke to the Warren AME Church, where Frederick Douglass Allen was a member, about any history they knew of blacks and the Toledo artist community. I learned that the early black community had more urgent priorities to deal with when they migrated to Toledo, so the artist Frederick Douglass Allen was ahead of his time.

As for women, Nina Spalding Stevens, wife of the 1903–1926 museum director, George W. Stevens, served as the associate director of the museum. She also created the educational program. If there has ever been a bias against blacks and women at the museum, it would be difficult to find. The art classes and shows provided a level playing field for a diverse community of artists. Many scholarship recipients were blacks and women. The local solo shows have always been diverse. In the 1970’s the museum hosted two group shows for the “Black Artists of Toledo.”

In the 1990’s, with the first black Trustee appointed to the Toledo Museum of Art Board of Directors, an initiative was begun to add more diversity to the collection. To understand the museum’s collection of “diverse art,” one must first understand that “diverse art” is made by contemporary artists, and the Toledo Museum of Art barely collected contemporary art until the 1960’s. Today the museum board itself is quite diverse, with a track record for adding diversity to the museum’s acquisitions.

Beauty without bias

“The superpower that an art museum has is when something goes up on the wall, it’s considered good. We set the canon.” Adam Levine quoted in Forbes, ‘Beauty Without Bias’ At The Toledo Museum Of Art, Feb. 28, 2022

In his arrogance, Adam Levine claims that museums are in the unique position to put anything on their walls and call it art, and because it’s in a museum it is considered good. How odd for the Toledo Museum director to suggest that collecting art at our fine museum could be turned into a political anthropology experiment. The connoisseurship of our curators is what has grown our collection. Our museum is about great art — not politics. It’s about skilled curation, and then letting people decide for themselves what they like. That Adam Levine brought in a Branding Department to redefine our museum, after ripping out the democratic soul of the local community from the museum, using diversity to attract the attention of other museums (and grant foundations), is such a conceit. How ironic that, with such a record for collecting diverse art in the past six years, our museum didn’t get even as much as a peep in the 2022 Burns Halperin Report. But then we are in the Big Middle, and nothing can take the museum out of it, so Adam Levine might as well be content with making our museum functional again for our own large Midwest community, as unexciting for him as that might be.

Our famous French Impressionist paintings thrown out the door.
Cannibalizing our museum

The biggest hoax on the community was Adam Levine selling our historic French Impressionist paintings while quoting Edward Drummond Libbey, “let the multitudinous array of the mediocre be relegated to the past and in its place be found the highest quality, the best examples and the recognition of only those thoughts which will stand for all time,” as if Libbey would approve of the selling of our major Cezanne, Matisse and Renoir paintings. Adam Levine claimed that the sale was for “diversity,” when over the past six years, the museum has meticulously added an equitable ratio of Black Americans to Women to Other American artists acquired by the museum. He lied about data. He betrayed a peer museum in Chicago by reneging on a loan of our Cezanne painting for their show. He lied about the quality of the paintings being sold, and the intentions of the museum. Two paintings were sold to the same buyer for $59 million! Eight months later the Toledo Museum of Art does not have one artwork purchased with that money to show for it.

Impressionism speaking for our community

It is sad to see the museum’s French Impressionist paintings commercialized at the brand-new Lucas County Glass City Convention Center — including our only remaining Cezanne, Avenue at Chantilly, which is featured as anonymous wallpaper framing a multi-level staircase. This is the painting that was promised to the Chicago Cezanne Exhibition. Obviously, the museum and the Lucas County government believe that Impressionism speaks for our community. They are also using an uncredited Van Gogh for their two-story escalator alcove and a uncredited Monet on a large vinyl mural to decorate the second floor hallway. According to The Blade’s news story on the new Public Art, the convention center is “showcasing the museum’s collection.” Yet just eight months ago, the museum sold three original paintings from their small and valuable Impressionist collection that people came from near and far to see. That Adam Levine chose these paintings for the convention center, out of 30,000 possible choices, right after the unpopular and controversial deaccession of the Impressionist paintings, shows a frightening lack of honesty, integrity, vision, sensitivity and leadership.

Pass the remote, please

Recently, a new communications manager was hired at the museum who lives in Lansing Michigan. Her message to the people of Toledo was that Toledoans want to see themselves on the walls. The irony of an out-of-towner telling Toledoans what they want to see at the museum! The museum has a new department — Branding — and the director of the Branding department lives in Colorado. The Curator of Antiquities, Carlos Picon, is an art dealer in New York. (no kidding!) The African Art Curator, Lenisa Kitchiner, is the Chief of African and Middle Eastern Division at the Library of Congress in Washington D.C. Why is our museum director turning the controls over to the East Coast and the West?

We can be thankful to Marcy Kaptur for working so devotedly for our Midwest community for the past 41 years. We are extremely lucky to have her fighting for us in Congress for all these decades. The Toledo Museum of Art has had seven directors during those 41 years. (If only we could have cloned Otto Wittmann, the museum’s fourth director, who grew the museum for 30 years.)

Marcy Kaptur is the real deal. With Marcy Kaptur, as with the Toledo Museum of Art, you won’t know what you are missing until it is gone.

Another “real deal” is Samuel “Golden Rule” Jones, mayor of Toledo 1897-1904, whose house stood where the Toledo Museum of Art Peristyle stands today, and who inspired Marcy Kaptur so much that she wrote her college thesis on him. See my post from 2021 to put into perspective the progressive beginnings and democratic legacy of the Toledo Museum of Art: Whitlock, Jones and June Boyd

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Artists of Toledo

If “Golden Rule” Jones was mayor today

Samuel “Golden Rule” Jones is ranked the fifth best mayor in the history of the United States.

If Samuel “Golden Rule” Jones (mayor of Toledo 1897-1904) was mayor today….

He would answer my emails!

But that’s not all….

For good use of the pandemic federal “rescue grant,” he would help Toledoans with their gas and electric utility bills, since the pandemic made the costs go up so high.  He would already have given us municipally-owned broadband.

He would make parks safe for children again — the same parks (and more) that he started in his first mayoral tenure.

He would do all he could to stop the spiraling high murder rate that is killing our children.

He would pronounce “Home Rule!” to Lucas County Commissioners to stop their quest on taxing 117,000 city homeowners for ditch clean up that the people of Toledo already take care of quite well without the county’s interference…

He would eschew cronyism and make sure that all construction maintenance jobs for the city are triple-bid, not issued with the routine “emergency” status that most jobs are labeled today. Sam “Golden Rule” Jones would support free enterprise and competition between contractors, without the public’s top dollar doled out to government “friends.”

If Samuel “Golden Rule” Jones were mayor today, he would govern with a conscience.

In the old days, he kept saloons open on Sundays despite pressure from the churches because he felt the working class needed a place to relax on their day off, just as the upper-class enjoyed their smoking rooms.

That didn’t make him popular with the clergy, in spite of his great moral municipal experiment.

Excerpts from Toledo mayor (1907-1912) Brand Whitlock’s memoir, Forty Years of It.

Back then, Samuel “Golden Rule” Jones occasionally sat in for judges to hear cases. He’d find any excuse to keep people out of jail, because jails were dangerous. He put an end to the incarceration of the homeless.

Prisoners were hung up in the bull-rings for thirty days, lowered to the floor only to sleep at night; “such things have gone on and they are going on today, but nobody cares.”

“Golden Rule” Jones was a wealthy industrialist. He gave his mayoral salary away personally each and every month to people in need.

He wasn’t popular in politics, in fact, he was a man without a party. The politicians tried their best to get rid of him, but the public loved him. When he died his untimely death, the entire city came out to mourn his loss.

“Golden Rule” Jones’ house was situated on the very site of the Peristyle Theater at the Toledo Museum of Art, the concert hall that was built in 1933. The Toledo Museum of Art shares Sam Jones’ illuminating spirit — the old museum director, George Stevens, in his own way, was quite a bit like Jones, and his spirit carries on at the art museum. To give one small example, the museum opened its doors on a traditionally closed Monday on January 17, 2022 to honor Dr. Martin Luther King, Jr.. It was a warm embrace in a cold city.

In the interest of history and synchronicity, 110 years ago on that day, on January 17, 1912, the newly built Toledo Museum of Art on Monroe Street was opened to the public. After Edward Drummond Libbey opened the doors, Jones’s successor, Mayor Brand Whitlock, presented the museum with the key to the city.

Former city councilman June Boyd with some of her great grandkids (above). June is on a mission to make Toledo safe for children. Good luck, June! Below, “Golden Rule” Jones’ house, situated where Peristyle now stands.

If Samuel “Golden Rule” Jones was mayor today, and if I sent him an email, he’d have the courage to answer it. The root word of courage is Love. What a strange concept for the government, courage is love.

But it worked before – it could work again. After all, there is a good reason why our beloved Sam Jones has gone down in history as the fifth best mayor of all time.*

*The American Mayor: The Best and the Worst Big-City Leaders, a scientifically compiled survey of mayors by a panel experts, published in 1999.

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Artists of Toledo

Whitlock, Jones and June Boyd

June Boyd with her great granddaughter, Leilani, photographed at the Toledo Museum of Art on October 27, 2021. “I’m a fighter and I’m looking to provide a better future not only for my family, but for all these little children I spend time with.” June Boyd, Second Wind, Interview by Rev. Donald L. Perryman, PhD, Sojourner Truth, Sept. 18, 2019 (Note that baby Leilani came along after the publication of that interview two years ago. She now has a new great granddaughter, one month old, so when June Boyd says she wants a better future for the kids, she means business!)

June Boyd

June Boyd is one sharp octogenarian. Two years ago, she ran for city council at age 84. She’s a great grandmother raising two of her great grandchildren. She’s an activist for children and is fighting the blight and violence she has seen grown out of control in Toledo.

After 60 years in politics, June Boyd is very wise. She has experienced many firsts in her long Toledo history. When she was just two years old, she moved to Toledo with her mother from Georgia to the shiny new Brand Whitlock housing project on Junction Avenue behind the Toledo Museum of Art. It was a great place to live, with all the modern appliances. The first generation growing up at Brand Whitlock reads like a who’s who in the history of Black Toledo.

June Boyd was the first African-American to graduate from St. Ursula Academy high school, in 1953. To get her enrolled in the what was then an all-white girls Catholic school, in 1948, her mother called and asked if they would take black girls. The nun answered, “I don’t see why not!” When Ned Skeldon, president of the Lucas County Board of Commissioners, put out the word in 1959 that the county board would like to hire African-Americans, she was the first to be hired, and she worked for Skeldon himself. She paved the way for many black women working in politics. In 1993, she along with Edna Brown were the first two black women elected for Toledo City Council.

She did not win the election in 2019, but still works her agenda in the community to improve conditions for children in Toledo’s central city. She writes letters and gives interviews. Lucky for us, she keeps on keeping on, and she does it for the kids.

“I recall Mayor Wade Kapszukiewicz stating it was his intention to hire 30, 40 and 50 year olds in his administration totally excluding senior citizens or anyone over 50 who just might have the wisdom and knowledge to address the foregoing,” Letter to the Editor from June Boyd, Sojourner’s Truth, Sept. 30, 2021

Toledo sadly lacks the wisdom and knowledge of what once made it great. The city eschews the hiring of senior citizens or anyone close to being a wise elder. Memory of the past is the first to go in times of corruption, and we are living in corrupt times.

The Toledo Museum of Art is built on the same ground on which Samuel “Golden Rule” Jones had once lived.
Golden Rule Jones

Who knows about Samuel “Golden Rule” Jones? He was the Mayor of Toledo from 1897 until he died in 1904.

Samuel “Golden Rule” Jones is ranked the 5th all-time best mayor in the United States. Jones built Toledo’s first city playgrounds and public swimming pools.

Jones was a millionaire who gave away his entire mayoral salary every month to needy people. He built the Golden Rule Park for his employees and gave them instruments for their newly-formed Golden Rule Band. He gave his workers 8-hour work days, paid vacations, health insurance and Christmas bonuses. He made his fortune in the oil business, a consequence of the oil monopoly that would not be broken up until five years after his death. Rich through monopoly ugliness at age 43, Jones had an existential moment where he saw clearly that he had to live by the golden rule. Thus, he was elected mayor.

Samuel “Golden Rule” Jones died of a sudden illness at age 57, but he had a protege – the young lawyer and novelist, Brand Whitlock.

Brand Whitlock

Whitlock was an artist and intellectual at heart, without much interest in money. He served as Mayor of Toledo from 1906 to 1914, when President Wilson appointed him minister/ambassador to Belgium. He then served overseas throughout the Great War until 1921, when he moved to the French Rivera to write his books. He died in Cannes at the age of 65. Two years later, in 1936, Franklin D. Roosevelt named Toledo’s magnificent new housing project, the “Brand Whitlock Homes.”

Whitlock and Jones served during 15 years of the Progressive era. Their spirit was similar to that of the Toledo Museum of Art, founded in 1901, the foundation of which embraced his time and literally, his space. It was right beneath the Peristyle.

Brand Whitlock by Israel Abramofsky – a gift to the mayor from the young artist, who befriended him, and as mayor, Whitlock wrote Abramofsky a recommendation for his study in Paris.  Samuel “Golden Rule” Jones
The real deal

Golden Rule Jones made the City of Toledo livable — he sought to turn love into municipal policy, feeling that “each person could reach a kind of perfection just as plants reach perfect beauty.” By building parks, playgrounds, public swimming pools and the zoo, he helped children and families thrive.

Jones advocated for municipal ownership of utilities, to do away with the corruption of “closed backroom deals” made by city council members and their buddies. A good utilization of municipal ownership today could be city-owned broadband that would cover the entire city. Imagine the savings as well as the access. Like healthcare for all! Ha ha!

Jones and Whitlock fought for “home rule” to protect the rights of the city against the state. It’s a right we need to have our city invoke today in regard to the county’s over-reaching ditch petition, which appears more like a closed backroom deal between the city and the county, and now we the citizens of Toledo need to be protected from them!

For a while, Toledo became a better place to live, all because of the innocent, pure vision of Sam Golden Rule Jones. He was the real deal. The entire city came to his funeral, he was so loved.

Brand Whitlock Homes over the decades, torn down in 2012 and replaced by Collingwood Green, mostly senior-living.
Broken playgrounds at Gunckel Park and Ashley Park, 1978. Kids protesting, 1978. Photos © Penny Gentieu
Losing connections

Today when we hear the name, Brand Whitlock, instead of it conjuring up this great progressive mayor and novelist, we tend to think of the failed Brand Whitlock housing project instead. The Brand Whitlock Homes were once was great, then pushed down the memory hole. June Boyd remembers.

A happy childhood at the Brand Whitlock Homes is the reason why June Boyd advocates so diligently for Toledo’s youth —

“We need a total overhaul: Swayne Field could have a bowling alley; Warren Sherman could have a skating rink; there are dozens of vacant land that could be putt putt golf and go karts for our kids. I personally have to drive my grandchildren a long way to get the go karts they love. Why do we not have them in the central city which would not only create employment, it would be a boost to our neighborhood, and something we could teach our young to appreciate.” Letter to the Editor from June Boyd, Sojourner’s Truth, Sept. 30, 2021

How about more police, to police the outrageous crime spiking in Toledo? How about cleaning up the central city blight? Can’t the city make parks and playgrounds safe? Why such a low percentage of police in our community compared to the 8.8 million population in New York City, a city with nearly twice as many police officers per capita than Toledo, and less per capita crime?

“There are many adults around here who graduated from school and they are illiterate, and then you wonder why they can’t get any jobs, and not to mention the drug problem, the homelessness, the abandonment and the fact that people have gotten so beat down until they don’t have any encouragement to do anything else.” June Boyd, Second Wind, Interview by Rev. Donald L. Perryman, PhD, Sojourner Truth, Sept. 18, 2019

Groundbreaking ceremony 43 years ago today, on October 31, 1978, for the Wayman Palmer YMCA.  Wayman Palmer, _?_, Sandy Isenberg, _?_, Bill Copeland, _?_. Photo © Penny Gentieu
The Wisdom of elders

It means a great deal to know someone as wise and experienced as June Boyd and to be able to benefit from her perspective. I asked Ms. Boyd if she could identify people in this photo I shot at this groundbreaking ceremony on October 31, 1978. She gave me three names. Who else could do that — she was there 43 year ago, and she is still here with us. Although two men, Wayman Palmer and Bill Copeland, are not. How great June Boyd is for her wisdom alone! If only she had won city council instead of her opponent who won, who actually got arrested a year later for fraud along with three other city council members — talk about corruption!

“It’s time to pay attention to the children. Teachers, ministers, grandparents, and responsible parents, notice what children are doing. If they have a gun, where did it come from? If they are neglected, they become pawns for adults who want to take advantage of them for their own profit… We must take an interest in our youth… Do something!” June Boyd, Let’s come together to save Toledo’s children, The Blade, Oct. 9, 2021